Fujifilm X-H2S, X-T4, X-T3, X-S10, Fujinon XF18-55mm, and Fujinon XF56mm Firmware Updates Released. Updated Laowa 15mm f/4.5R Zero-D Shift For GFX Finally Shipping. Save $300 on The Fujinon XF56mm f/1.2 R and Fujinon XF56mm f/1.2 R WR MKII Shipping and In Stock. Laowa 65mm T2.9 2X Macro APO Cine and Laowa 100mm T2.9 2X Ultra Macro APO Cine Announced. Send tips | news | rumors | guest post ideas The price is reasonable, but expensive for someįollow Fujiaddict on Facebook, Twitter, Instagram, and YouTube. One of the most useful and flexible lenses you can ever own. Maintains all the features that made it great on Sony cameras. Very little flaring at wide angles, but it gets worse as you zoom in and gets worse by 70mm. 
Great close focus ability zoomed in or out and 17mm f/2.8 is sharp in the center and very sharp at f/4 but at 70mm f/2.8 it is very soft with color fringing, but it improves right up to f/8.Distortion straightens out by 22mm and at 70mm distortion switches into pincushion distortion with darkness in the corners which gets better at f/4 etc….
17mm f/2.8 has some barrel distortion with darkness in the corners but it gets better going to f/4, f/8, f/11. Doesn’t perform miracles but is decently sharp throughout the range. Image quality at 70mm f/5.6 excellent sharpness in the middle with the corners starting to sharpen up containing to be just as sharp to f/11. Image quality at 70mm f/4 excellent image quality in the center and some contrast comes back in the corners. Image quality at 70mm f/2.8 has good image sharpness but some contrast is lost with image quality a little soft in the corners. Image quality at 35mm f/4 is perfect across the frame with a little extra contrast in the corners and remains as good down to f/11. Image quality at 35mm f/2.8 is perfect in the center and just as good in the corners with no color fringing. Image quality at 17mm f/4 makes the corners perfectly sharp too but the color fringing remains down to f/11 where diffraction causes some softness. Image quality at 17mm f/2.8 is perfect in the center and almost as sharp in the corners but there is some color fringing in the corners. The lens is solid and the electronics work well tested on the X-T3. 67mm filter which is standard for Tamron today. Rubberized zoom ring that turns relatively well without sticking. The lens features its own image stabilization VC which is good for non IBIS cameras. AF motor is averagely fast, but it is accurate and quite. The lens is not parfocal because focus shifts a little zooming in and out. 
Very little focus breathing for video shooters.Two control points the plastic focus ring and zoom ring.Typical modern Tamron design that is made of plastic but feels solid and well put together.The Tamron 17-70mm f/2.8 Di III-A VC RXD is one of the most impressive standard zooms he has ever tested.Today I have summarised Christopher Frost’s excellent review of the Tamron 17-70mm f/2.8 Di III-A VC RXD which you can check out below: Yesterday we covered the late launch of the Tamron 17-70mm f/2.8 Di III-A VC RXD. Tamron 17-70mm f/2.8 Di III-A VC RXD: B&H Photo / Adorama
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